Oto co mozemy poczytac o jego historii:
As a requirement of my original Shodan testing, like many other students in traditional Karatedo, I was required to write an essay of some sort. I have found this to be the same in many other Classical Goju-Ryu Dojo that I have encountered. I submitted an on-going Thesis. So what, my essay came out a couple hundred pages long. As part of my future in Karatedo I plan to continuously update and expand this reference, handbook or as here, represented in an entire website.
"People with clenched fists cannot shake hands."
Ralph Bunch, Former Secretary General United Nations
Please also keep in mind a few things when reading this Portal: That knowledge that is not passed on is knowledge lost. (Or as I say “Live it, learn it and pass it on! “). The Style ‘Goju Ryu’ (translated the hard and soft way) was founded by Miyagi Chojun Sensei His teacher was the founder of Naha Te, Kanryo Higaonna. For an extensive history and Lineage overview, please see the following links.
The section “Historical Outline “
Semi Detailed, Goju Ryu has a traceable lineage of almost 2000 years. The section Historical Outline is roughly from the 1800's till today but our history does extend to much earlier. Please see the Section Chronological Overview for a detailed synopsis.
Goju Ryu Karatedo is said to display the oldest martial arts traditions and movements. Keeping the primitive traditional forms of martial arts yet full of fighting spirit. The system is based on a concept that hard and stiff is not good, however all soft and gentle can be equally harmful. The two should complement each other. This combination of the two gives Goju Ryu its beauty, disciplined movements, grace and flowing form. But lest anyone believe that Goju is merely a beautiful style of the dance with little of the art of defense, he need only watch two Goju players square off in Kumite against one another. Goju Ryu has received the most Chinese influence of all of the Japanese styles of Karatedo followed closely by Shorin Ryu and ****o Ryu. With the ‘Go’ (hard or positive) and the ‘Ju’ (soft or negative) in consistent harmony, one equalizing the other as with the rest of the universe. Through Goju Ryu training a simple act like blocking or striking will eventually occur naturally, a side effect of a pure of thought and mind and repetition.
Goju Ryu distinct postures do follow the standard philosophy of Chinese Martial arts in their resemblance and retaining the name of animals. A good description for the experienced Martial Artist (such as Shotokan Karatedoka) is to Goju Ryu compare to the regions of China and familiarize them with 'Nan sen Hoku ba'. Southern China has many rivers and the North has many Mountain ranges and large plains. This is where the term 'Nan sen Hoku ba' comes from. The Kanji, when written means Southern Boats and Northern Horses. In the South (China) people were fisherman, sailors. They were accustomed to working and spending long amounts of time in boats or in the water (perfect for Sanchin). The Kempo in the South was developed and practiced in limited space so the techniques and foot movements developed small as well and was suitable for close range fighting. In the North (China), there existed Metropolis and Military. These tribesmen were accustomed to riding atop and fighting from horses (perfect for Kiba Dachi). Their Kempo evolved into a system with very large exaggerated movements, designed for long range fighting. So to sum it up, Hoku Ba = North Horse (Kiba Dachi) and Nan Sen = South Boats (Sanchin Dachi).
There are many primary characteristics of Goju Ryu:
One being of course being Go and Ju as explained above.
Goju Ryu also carries the characteristics more so of a Bujutsu rather that that of Budo including grappling and throwing techniques as well as sticky movements along with quick explosive motions generated from the hips.
Another is Ibuki ('Ikibuki' - YO & IN), the famous breathing techniques which have been developed in a way to place the mind and body in harmony, uniting them for a more efficient person, and stimulating the bodies internal organs bringing you to a total state of awareness. Imagine with every block you inhale and with every strike you exhale. This would be soft to hard. Reverse the order of breathing and call it hard to soft. There are many other principles of application for Ikibuki and most synchronize breathing with body movement.
Jiyu-Kumite (free fighting) developed for close range fighting utilizing Neko Ashi Dachi (cat stance or cat leg stance) to quickly and easily move to and from other body positions for a more effective fighter.
Buji which means the absence of conflict or peace, another way of saying this is although harmonized Goju Ryu is at all times seeking a better way, not saying there is something wrong with the way that anything is done however the possibilities are limitless!
Goju Ryu shares its roots with other styles of Karatedo developed over the centuries from the fighting arts of China and rooted through Okinawa. Many of the school's movements are very soft, as in Chinese Kempo. In China, there were two counter parted arts of Chang, or fist. One is categorized as hard style, or External style. The other is Soft style or Internal style. Hard and External style represent Zen Budodhist initiated school such as various branches of Shaolin Chun, and Soft and Internal style represent Yee Chuen, Pai Kua Chang, and Tai Chi Chuen.
The Okinawa brand of Karatedo was originally imported from China more than 400 years ago, but had developed into a hard style during its years on the island by the influence of the Okinawa native arts. When these arts came to Okinawa, where they underwent changes and were combined with Okinawa Te. Many approaches to self-defense came into existence. Naha Te named after the city it was practiced in (Naha) over time developed in combination of other Te to become Goju Ryu. Kanryo Higaonna (see LINEAGE) was known as the highest authority of Naha Te. He as well as his successor Chojun Miyagi (1888-1953) made several treks to Mainland China to absorb more skill and to hone their art. Miyagi for the most part undertook invented and standardized the training and modernization of the techniques, and created the first named style of Karatedo (other than that named after the city it was founded). He later (1928) introduced Goju Ryu to the Japanese mainland. There Gogen Yamaguchi Hanshi, his successor on the mainland trained in and propagated Goju Ryu.
Disciplining the body and mind in combination have always been part of Japanese culture and is clearly expressed in Karatedo and many other martial arts whose origins can be found in Japan including Goju Ryu. Oddly, much of the system can and has been based on geometric and mathematical formulas. Much of this based on the function in dimension, space versus time and can be demonstrated so via mathematics calculation.
The section “Class “
A Roadmap to a standard Class Curriculum. Jumbi Undo (preliminary / warm up exercises), Kihon (Basics), Kihon Ido (Basics with Movements), Kata (Forms) and Kumite, Hojo Undo (supplementary exercises).
The section “JKF Soshiki “
Listing of Ryu-Ha and Kai-Ha and their affiliation in and association with the Japan Karatedo Federation.
Goju Ryu is not a sport, nor has it ever been intended to be so. All Goju Ryu Kata begin and end with a defensive motion. Remember there is no first attack in Karatedo! There are, however, counter measures which can be found through out the system.
So why all the different versions of Martial Art?
Before we discuss the individuality of or unification of Karatedo, we must first qualify what we mean by "Karatedo." There are two different categories of "Karatedo" within "traditional Karatedo" (excluding full-contact Karatedo such as Kyokushin). Some are Karatedo-Jutsu and Karatedo and others are Sport Karatedo (or Olympic Karatedo).
Karatedo-Jutsu means "Karatedo as Bujutsu." Almost all Chinese martial arts and traditional Okinawa Karatedo belong to this category. As well in recent years Mario Higaonna’s IOGKF style of Goju Ryu was pronounced as Karatedo-Jutsu. In Karatedo-Jutsu (like any other Bujutsu) the primary development is in the body for self-defense reasons and physical training. It usually does not carry as strict class-room (Dojo) rules as Budo. There is absolutely no necessity for Karatedo-Jutsu schools and styles to unify. Rather, they must remain independent to preserve their purity as a style. Karatedo-Jutsu is (and should remain as) a personal art for use in combat. Sports competition will simply end up removing the edge from the sword if practiced in Karatedo Jutsu. Only demonstrations (not competitions) should be held because there is no way that true Karatedo-Jutsu techniques (or any other Bujutsu techniques in the same manner) can be used in tournaments without injuring or killing competitors. Doing so for the sake of Bujutsu practice was allowed 400 years ago, up until the time of Miyamoto Musashi. To avoid injuries, competitors would have to execute techniques that do not injure their opponents; this would corrupt their arts.
Karatedo-Jutsu, in many cases, has been taught in secrecy because you don't want to let your enemies know your techniques and skills. (Karatedo-Jutsu in Okinawa was kept in secret not only because the people of Okinawa had to fight against Japanese samurais but also because they had to fight against other villagers). There are hundreds of different schools of Bujutsu in Japan (including various styles of Kenjutsu, Jujutsu, Aikijutsu, etc.). In Japan, all Bujutsu people get together once a year in Kyoto to demonstrate their arts and skills (Kyoto Taikai).
On the other hand, Karatedo means "Karatedo as Budo." Karatedo (like any other Budo disciplines) is designed to build the character of the person who practices the art. The object of Budo is "to cultivate character, enrich the ability to make value judgments, and foster a well disciplined and capable individual through participation in physical and mental training utilizing martial techniques." (The Budo Charter).
The seed of Karatedo was spread when Sensei Itosu began teaching Karatedo in Okinawa Middle Schools. To fit Karatedo into the physical education curriculum, he combined, in effect, Karatedo-Jutsu (Toude) with the concept of sports, which had just been imported to Japan from the Europe. Until then, Karatedo had only been taught to improve the practitioner's physical or mental well-being as well as for the sake of self-defense. It has always been one of the combat skills required to Okinawa Police and Homeland Defense.
Funakoshi Sensei (who studied under Sensei Itosu) further developed the idea of Karatedo after he moved to Tokyo. His mentor, Dr. Jigoro Kano was the founder of judo who developed judo based on jujutsu. Dr. Kano was also the founder of the Dai Nippon Taiiku Kai (Japan Athletic Association), {The Dai Nippon Taiiku Kai was the first Japanese member of the IOC (International Olympic Committee), and the first Japanese representative to the Olympic games in Stockholm). Dr. Kano was not only the father of judo, but also was the father of sports in Japan. Note that this was also the time when Kenjutsu was transforming into Kendo under the authority of the Dai Nippon Butoku Kai (Japan Martial-virtue Association).
Funakoshi Sensei decision to change Karatedo (China-hand [Toude]) to Karatedo (empty-hand) included philosophical transformation from Bujutsu to Budo. This influenced all other Karatedo styles. However, some schools have chosen to remain as Bujutsu while others chose to become Karatedo. Generally speaking, the Okinawa styles (e.g., Okinawa Goju Ryu) are more Bujutsu-like, while the Japanese styles (e.g., JKF Goju-Kai) are more Budo-like.
Budo is a combination of Zen, Bujutsu, and sports. Practicality of techniques is not as important as safety of the practitioners. For example, Kendo is a Budo. The strikes in Kendo (such as "men," "Kote," and "do") are to "hit," rather than to "cut." A person with a rank of Yon-Dan in Kendo probably could not necessarily cut anything or anyone with the way they swing Shinai (bamboo stick). Similarly, someone holding the rank of Go-Dan in Karatedo could not necessarily kill anyone with the way they punch during Ippon Kumite practice, because they don't practice to "kill." (This is the difference between "Satsujin Ken (killing sword)" and "Katsujin Ken (life-giving sword)" described by Yagyu Munenori.).
"When practicing daily, one must constantly follow decorum, adhere to the fundamentals, and resist the temptation to pursue mere technical skill rather than the unity of mind and technique." (The Budo Charter).
Tournaments (Shiai) in Budo have a specific purpose, which is to assist the training, rather than merely to determine the winner. The Budo Charter cautions: "In a match and the performance of Kata, we must manifest Budo."
In Karatedo (as being a ‘Budo’) we must manifest Budo spirit, exert your self to the utmost, win with modesty, accept defeat gracefully, and constantly exhibit temperate attitudes.
Traditional Karatedo, coming or going?
Personally and professionally I have reviewed the views and ideals of many Sensei and practitioners on why be a separatist or inclusive. Not all but many Sensei have an open mind and have tried to see things from others point of view. I think we should take a closer look at this unification of sorts. If the ****o Ryu or Ryobu Kai (just as an example) were to include all the Kata of Wado Ryu, Isshin Ryu and Uechi Ryu I believe it would be the role model of Unified Ryu. As it now stands (I believe) ****o Ryu contains the most Kata of the four major styles (all the Kata of both Goju Ryu and Shoto Kan). With the Unification of the Associations, the feelings of alienation of Ryu-Ha and Kai-Ha that have long parted ways can again be reunited.
The current unification of the respective World and National Federations posts the certainty that Karatedo is maturing in ways of which associations such as the AAU of the United States (in the 1970's) thought were unforeseeable. However with this 'Unification' of styles the possible backlash, and I repeat its only possible, can easily take away the individuality in every one of the styles of Karatedo. This Unification presents the possibility of deterioration of the many traditions of the respective Ryu. I am not Japanese and do not fore-see myself to become the headmaster of any Ryu or Ha, so I don't have any real stake in that eventuality, but it does seem a bit unfortunate.
So what do I mean by that? Well if there was one master style, lets call it X-Ryu, And X-Ryu had primary control of the X-Kai Federation, and through this federation (even while meaning to do well) unified A, B, C & D Ryu into X Ryu to make a stronger X-Kai. Each individual Ryu would lose what points and characteristics that make it special. X-Ryu would now have all the Kata and linear movements of A-Ryu, all the Kata and Circular movements of D-Ryu, the history and training syllabus of B-Ryu and the Discipline and Kumite methods of B-Ryu.
This new 'Master' style could do more damage than good as well as it has been proven that when a style gets too big it falls apart dangerously (Remember the USA Goju Kai in the 1970's had 20,000 students in the New York City area alone! And look where it stands in the USA today as it has less than 1500 practitioners in the entire country).
Please remember all of the above is only one translation of how I see it, I have many other views and possibilities however this is only one idea and is not open for debate. Much of Karatedo is already unified under Kata, history, tradition syllabus etc.
Karatedo without imagination becomes Dance
Karatedo without Bunkai becomes Ballet,
And Karatedo without thought becomes lost.
About change
The experience of bringing together other Goju Ryu clans of both old and new friends and foes has added to my over all knowledge. Sure we all practice and do things our own way but it comes from the combined input of many influences. Some try to look at many things from many different directions and points of views (mostly trying to see things from other people’s point of view).
Another direction that "change" has come is a desire for pushing defined movements and having or becoming highly technical and refined in performance of Kata and Kihon. We look at this from a three-part perspective. One is from the Dojo and how we do things different from other Dojo whom of course do things different from others. Second, is the understanding of how and why different Goju Ryu Dojo or schools and associations make such performances, third has to do with the next paragraph.
Our views for change have to do with my reasons for joining and studying with other Organizations (JKF, USA-NKF, Dai Nippon Butoku kai, JKGA, Meibukan and AAU etc.). Because they are on a worldwide level they have had congressional agreements and issues, which have been settled by boards of masters, not just individuals. We can look at these "associations" for their hindsight and learn from them just as we learn from our teachers however on a much broader level. This adds not only to your knowledge but makes you a better rounded Goju Ryu practitioner which will reflect in your students future, all of our recognition and how and why Karatedo has evolved into what it is today and where its going in the future.
In the previous paragraph we answered the question of belonging to a greater or larger system or to just take the independent route. The combined thoughts and ideas of many will always outperform the thought and mind of one. We should consider ourselves fortunate to have infamous teachers, as the root to our teaching in Goju Ryu because they have put the 'ideal' into my head even though Yamaguchi Sensei was his teacher, there is more to learn than any ‘One’ instructor can teach me. That we should never limit ourselves. And that if knowledge is limitless then we should never be satisfied with one solitary answer to any question.
Our final “ideal" of change pertains to time. Think of this. Boxers of the 18th and 19th century do not fight as boxers of the 20th century do. If boxers of the 20th century were to fight palms up, and rotating their hands one over the other as those in the 19th century, they would be slaughtered. The same goes for Karatedo. Performance, evaluation, understanding and analization have different meanings than those posed in the previous century. Fighters of today do not move, attack or defend as those from yesteryear. If Chojun Miyagi Sensei were alive today, surely the meaning and Bunkai of his Kata would be different from what it was in the 1940’s. On the flip side of this, there is a point to remember; that what was yesterday may not have the same meaning today. To keep the kata as close to Miyagi Sensei original version is a part of respect for Karatedo. To continue to practicing diligently, training our bodies and minds makes our training Budo. And having a dedicated and open mind looking to expand our art and practice for our physical well being makes Bujutsu.
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